PORTRAIT OF WOMAN WITH LIPSTICK - OIL & SAND ON FABRIC
SKU: 87170907295

PORTRAIT OF WOMAN WITH LIPSTICK - OIL & SAND ON FABRIC

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Description

PORTRAIT OF WOMAN WITH LIPSTICK - OIL & SAND ON FABRICAfro Cubist portrait of a woman applying lipstick executed in oil on fabric, by Georges Ebrin Adingra. The highly impastoed, sculptural surface is typical of his work and was achieved with the addition of ground sandstone to the paint. Possibly dated 1991; signature illegible. The handsome oak frame is new. One of a trio. GEORGES EBRIN ADINGRA (19332005) was born in 1933 in Adaou in Cte DIvoire (Ivory Coast) as Ebrin Adingra, Prince of Krindjabo. He

Afro-Cubist portrait of a woman applying lipstick executed in oil on fabric, by Georges-Ebrin Adingra. The highly impastoed, sculptural surface is typical of his work and was achieved with the addition of ground sandstone to the paint. Possibly dated 1991; signature illegible. The handsome oak frame is new. One of a trio.


GEORGES-EBRIN ADINGRA (1933–2005) was born in 1933 in Adaou in Côte D’Ivoire (Ivory Coast) as Ebrin Adingra, Prince of Krindjabo. He studied philosophy in Abidjan until the age of 17, when he received a scholarship to the École des Beaux-Arts in Marseille, France. He graduated with distinction after three years, winning first prize for a fresco in his senior year. This was followed by architectural studies in Nancy, concluded in 1957, and travels through Europe and America.

In his paintings, Adingra “flipped the script” on the narrative invoked about Picasso and the origins of Cubism, synthesizing the elements of the early-20th-century European movement with African themes and subjects—such as calao birds (hornbills), kora string instruments, and the tribal imagery and mysticism of various West African peoples. By mixing his paint with fine sandstone and working with burlap canvas, he added a characteristic depth and texture to his work.

Adingra exhibited in Paris, New York, Amsterdam, Milan, Rotterdam, Abidjan, Kobe, and Malmö. An extensive monograph about his life and work was published in 1990. Adingra maintained a studio in Paris and often sold pieces in Place du Tertre (Montmartre). He died in 2005.


DETAILS

Artist – GEORGES-EBRIN ADINGRA

Period/Year – 1990s

Origin – FRANCE

Styles/Movements – AFRICAN; CUBISM; TRIBAL

Media – MIXED MEDIA

Support – BURLAP

Colors – SAND, PEACH, OLIVE

Condition – Excellent vintage condition. Newly framed.

Dimensions – 29 ½" H × 22" W × 1 ½" D

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SKU: 87170907295

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I found some of this years ago and loved it. Ran out, couldn't figure out where to find more then this last Christmas my mother gives me some of the rose salve and I remembered how much I loved the lotion. So as I was looking for more of the rose salve (also AMAZING) I got some of the lotion. It goes on really light feeling, but has some serious softening abilities. I use the salve on my knuckles first then use like a Chick-pea size amount of the lotion overnight and my hands are great the next day, especially considering how much I've been washing my hands and using hand sanitizer these last few weeks. It smells like lemon meringue pie, and is more lightly perfumed than BBB stuff (which I love since I'm prone to headaches). I love CO Bigelow products, have yet to try one I dislike. I use the overnight lip balm in the winter or during colds when my lips crack and dry the most. I use the rose salve for my regular daytime lip balm (stuff is the duct tape of the salve world, no joke!) and for extra relief on any dry skin. Some might argue it's a little expensive for the size you get, but you don't need much of any of them so they last forever. I still have half a tube of rose salve lip balm from Christmas and I use it every day, several times. They all smell good, they all feel really clean on, they do what they're supposed to without adding products (like glycerin) that will cause further dryness or chapping. Thank you so much, CO Bigelow for making so many quality products and being so consistent with the quality for so long. Fan for life here!
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